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Woven Sabbia Breakfast Tray
Dasha Pogodina ‘Let’s look to the future with hope’
1970s Vintage Modular Rattan 2 Piece Sofa Chairs
Cascading Top Rectangle Coffee Table
Flag Halyard Chair Quickship
Pair of Petite Round Form Rattan Chairs
Rattan Mushroom Lantern
White Cherry Blossom Branch
Bodene Round Black Resin Coffee Table
Buchanan Clear Stacking Double Old-Fashioned Glass
Lennon Ocean Cotton Handmade Area Rug
Sesann Sofa | Three Seater
Brutalist Style Italian Dry Bar
Marco Maran X3 Chairs for Knoll
Godinger Silver Art Co Dublin Crystal Captains Decanter
Westwood Sectional
The Aldama Rug
Magnetic Midnight Canaflecha Pouf
Black Leather Modern Satin Brass Sarah Ceiling Pendant Drum
Wes Wood 6-Drawer Dresser
Italian Bamboo and Brass Gabriella Crespi Inspired Pair of Lamps
Hexsation Chandelier
Sommer Dining Table
Costa Black Metal Outdoor Dining Armchair
Penelope Round Indoor/Outdoor Dining Table
Knot Weave Doormat
Sydney Vessel
Gold Nebula Hand Painted Pendant Lamp
Halcyon Napkin Set
Alcott Melamine Dinner Plates
Wave Club Umbrella
Air Linen Asymmetrical Halter Top
Cane Chargers
Scarlet Embroidered Ballerina
Moon Tote Bag
Overflow Boyfriend Flare Jeans
Goldie Tee in Stripe
Miss Cat Belted Set With Detachable Feathers in Mint
Alice Cotton One Shoulder Tee
Design

A Soulful Spin on Retro Glam:
Venice-Inspired Interiors

If you are new here, we feature a locale each month that we dream to…
get inspired
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follow along
@clouz_houz
Before we sketch a floor plan or source furniture, we sit with the house and let it speak a little.
For the 6th Street Bungalow, this step was especially important. The house has its own personality, and the flatlay helps us study it from every angle.
It lets us play, make changes early, test combinations, and make sure each material has a reason for being there. Nothing is theoretical at this stage.
We want to feel the stone, the fabrics, the wood tones, the finishes, and see how they interact from room to room.
The flatlay becomes our anchor — a visual blueprint that keeps the design cohesive while giving us room to refine as we go. It’s a crucial part of our process and one of the most valuable tools for creating a home that feels intentional, personal, and true to the architecture.
If you want to get started on your home, our spots for Q1 of the new year are filling up. Visit our website (link in bio) to inquire.
My ins and outs this year!
Do you agree? Let me know if I missed any in the comments!
Hang in there for me on this one (I feel very passionately about this topic 😂). One of the things we care most about when designing homes is where the pieces come from. Vintage and antique sourcing isn’t just about finding something “different”... It’s about choosing pieces that already carry a story.
The truth is, the most memorable rooms aren’t built all at once or off a single shopping list. They’re layered over time. A chair with worn arms. A table that’s been repaired more than once. A piece you weren’t looking for, but couldn’t leave behind. Those are the things that give a home its soul.
When you bring vintage into a space, you’re investing in more than furniture. You’re investing in craftsmanship that’s hard to replicate today, materials that have already stood the test of time, and details modern manufacturing simply doesn’t prioritize anymore. And there’s something deeply satisfying about living with pieces that feel personal.
This is why we source the way we do. Not to fill a room, but to give it meaning. Collected doesn’t mean cluttered. It means intentional, patient, and a little emotional (in the best way).
A home should feel lived in, loved, and uniquely yours.
Ok here’s the truth- I have a lot of favorite whites- but this may be my new fave for cabinetry! 
Here’s the part no one tells you:
Most “bad” white cabinets aren’t bad colors… they’re bad context. White fails when it’s chosen in isolation. Paint chips are judged under fluorescent store lighting, held next to nothing, and decided before cabinets, counters, floors, or hardware are even finalized. Then that same white gets wrapped around an entire kitchen and suddenly feels gray at noon, yellow at night, or weirdly dull no matter how much light you have.
That’s why we chose Shoji White by Sherwin-Williams for our kitchen cabinets this time around.
Not because it’s trendy.
Not because it photographs well.
But because it behaves.
Shoji White has a soft warmth that doesn’t show up on a chip, but does show up when it’s next to real materials. It stays steady throughout the day, doesn’t compete with natural wood or stone, and doesn’t turn chalky once it’s covering full-height cabinetry. That consistency is what actually makes a white “safe” — not how popular it is.
Designer truth:
If a white only looks good at one time of day, it’s not a good cabinet white.
If it needs perfect lighting to work, it’s not a good cabinet white.
If paint decisions make you spiral, it’s not because you’re bad at this (it’s because white is reactive, and no one teaches you how to test it properly).
Our blog goes live today at 3:00pm PST, where I break down how to evaluate whites in your actual space and share a few other cabinet whites we consider truly “safe” — the ones we use repeatedly for clients because they hold up in real life, not just in photos.
Save this if you’re choosing cabinets soon.